About:

I'm a VFX Producer and Project Manager turning creative chaos into something that actually ships on time, on budget, and without anyone losing their mind in the process. Often drafted as unpaid talent: this is me on set for Razer Unleashed. Method acting, if you squint.

My job, at its core, is translation. Directors speak in vision, artists speak in iterations, clients speak in deadlines and budgets. Somebody has to sit in the middle making sure all three are actually the same conversation. That's the part I'm good at. Not just moving pieces on a board, but building the systems that let genuinely ambitious creative work survive contact with reality.

I've run productions across APAC and with teams around the globe, which means I've gotten fairly fluent in time zones, culture-shifting on the fly, and the specific chaos of coordinating a shot list with a team that's just waking up.

Outside of production, you'll usually find me in the gym, running a fantasy football league with more spreadsheets than it probably needs, or at the poker table thinking through risk and probability more than luck. I'm also a bit of a sociology and philosophy nerd fascinated by why people, and the systems they build, work the way they do.

Agencies

Brands

Precision Project Managment

Bridging the gap between ambitious creative vision and strict studio delivery constraints through systematic coordination.

Bottleneck Elimination

Scope Management

On-Time Delivery

Making sure nobody's ever waiting on something they shouldn't be

isn't saying no, it's making sure every yes is a deliberate one

knowing which fires to put out before they start

Ready for Bidding

Let's discuss your upcoming projects!